My plan for this assignment is to:
Explore Deconstructed club and Its relationship to queer culture, its relationship to neurodivergence, and themes of Transhumanism present in the scene around the music.
Reading list:
Wang, Jing (2014). ‘Mapping an existential territory: an autoethnography of a sound researcher’. International Review of Qualitative Research, 7 (4), 486–501, doi.org/10.1525/irqr.2014.7.4.486.
Weheliye, Alexander G. (2002). ‘“ Feenin”: posthuman voices in contemporary Black popular music’. Social Text, 20 (2), 21–47.
Devine, Kyle (2019). Decomposed: the political ecology of music. Cambridge, MA: The MIT Press.
Claiming Queer Territory in the Study of Subcultures and Popular Music
https://compass.onlinelibrary.wiley.com/doi/abs/10.1111/soc4.12021
The Globalisation of “Deconstruction” : A Survey into Deconstructed Club Music
https://scholars.cityu.edu.hk/en/publications/publication(16c1ed24-f526-4488-89c3-b1922aa22cfc).html
Neurodiversity and Heavy Metal Music
https://intellectdiscover.com/content/books/9781789389456.c06?crawler=true
Baines, J. (2018). What on earth is deconstructed club music? Retrieved from https://www.redbull.com/gb-en/deconstructed-club-music-understanding-the-avantgarde-dance-sound
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